sympathyfortheartgallery: foreverdiary: Rachel Whiteread Love.
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sometimes-now: Non-Site (Palisades-Edgewater, N.J.) Robert Smithson, 1968
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jesuisperdu: 1992 gerhard richter
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hyperallergic: Dolphin Gallery, Kansas City Art World Stronghold, To CloseKANSAS CITY, M.O. — For more than 20 years, John O’Brien’s Dolphin Gallery has been a cultural and…View Post
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mitjaissick: Joseph Beuys ohne Titel, 1985 
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museumuesum: Robert Frank Mabou, 1977 Gelatin silver print, 7 5/16 x 19 5/16” (18.5 x 49 cm).
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who-wore-it-better: Luis Gispert Muse Ho  ::  Bruce Naumann Self portrait as a fountain
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museumuesum: Roy Lichtenstein Mirror #3 (Six Panels), 1971 Oil and Magna on canvas, 120 x 132 inches
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visual-poetry: »no bad things« by mathew sawyer
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thejogging: Mac Bath, 2013 Image ∫  ÷ Zac spilled water on my mac book this morning and I didnt even get tumblr famous for it
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who-wore-it-better: Hermann Zschiegner After/Before Gursky (Bahrain I)  ::  Florian Freier Copy-Paste Recreating Andreas Gursky (Google Earth Remix)
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jesuisperdu: itwonlast: For Richter-Modell (interconti) (1987), a dig at Gerhard Richter whose work he had a conflicted relationship with, Martin Kippenberger purchased one of Richter’s small Grau (gray) paintings, added a frame, screwed legs onto it and turned it into a coffee table. Kippenberger not only turned the Richter into a table, but also transformed it into a “Kippenberger”: purchasing the painting at a Richter market price, he then sold the work transformed into a sculpture at a Kippenberger market price, which was considerably lower. i love gerhard with all my heart, but this is a little funny
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showstudio: ‘Cremaster 3, directed by Matthew Barney, 2002
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art-documents: Rachel Whiteread
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